Then there is a sublime hidden gem in this story, which provides much needed mileage, Abdul (Kunal Khemu), who has political agendas.Īnd now add them in hot boiling situation of partition and voila, Kalank, unfolds. There is one more dynamic which actually got the whole thing rolling, Dev being married to Satya (Sonakshi), who is terminally ill.
There are multiple dynamics the film runs-on, starting with an old romance, Madhuri and Sanjay, playing Baahar Begum and Balraj, a problematic equation between father and son duo, Dev and Balraj, there is a teacher-student relationship between Bahaar Begum and Roop and of course there is eternal love between a daredevil blacksmith Zafar and already married Roop. Indian cinema hasn’t seen such an epic budget movie set during the time of partition, so it does offer newness but it also goes downhill with clichéd relationship tussle. Morality, Family Ties and society going berserk definitely keeps you engaged for the major part of the film.
The film and its characters are skin deep and multi layered to the point where one could actually relate to some of the situations and heart-aches in the film. Kalank, the film does get promoted with a tagline, eternal love, but it is more like internal struggle and tussle between morality and desires.Ībhishek Varman directorial is a classic example of the fact that past is never actually buried it keeps cropping up via new generation and new dynamics.
Film Cast –Madhuri Dixit, Sonakshi Sinha, Alia Bhatt, Varun Dhawan, Aditya Roy Kapur, Sanjay Dutt, Kunal Khemu, Kiara Advani, Kriti Sanon
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